Her Fault

Wow, it's been a while. Shit happened, I did some things. I may post some of said things later, but for now, peep the amazing, new The Airplane Boys video. I've got a number of pieces in it, which show up near the end of the vid. Wait for it: a room full of strong, beautiful, and incredibly well-dressed women are gonna stare y'all down. Be afraid.

(By the way, be forewarned there is some graphic imagery in this video. My lovely mother wrote to me: "Proud that your designs are in it, but definitely horrified by the video itself! Aaaarrrgghhhhhh!!!!")

Enjoy!

Listen.

A lot has happened in the past few months. This past week I submitted my thesis for my Master of Arts in Fashion, entitled "Sound As Signifier: Communication and Expression Through the Sound of Clothing." It's about time I talk a little about my research and what I've been up to the past 4 months.

Background:

Without going into too much detail, I've been researching, in general, the sound of clothing. Most analyses of fashion are related to the visual (with good reason), discussing what and how is communicated through the visual elements of dress. I was interested in looking at what role the sounds of our clothes play in communicating, but I also wanted to understand how sound could lead to a more holistic appreciation of our clothes, to a fuller sensory experience. Sounds kind of hippie dippy, I know. Anyhow, if you want to know more, you can read my final paper (I know you won't.)
In addition to a major research paper on the topic, I have also been hard at work creating a small collection of fashion pieces. Each piece was designed with a focus on the sounds they would produce (without ignoring visual aesthetics), as a means of encouraging greater interaction with and self-expression through the clothing. How can the wearer use the sounds to communicate, and what is being communicated? How do the sounds change the ways in which the wearer interacts with and experiences the piece? These were some ideas I wanted to explore through this collection.

Production:

Earlier in the year I was awarded the ELLE Canada Fashion Graduate Award. This generous award helped me to produce this collection, which uses a lot of costly materials including leather, copper, and phosphor bronze wrapped guitar strings (at least 150 of them). Also, a ridiculous amount of taffeta and organza.
Each piece is inspired by a section of the orchestra: woodwinds, brass, strings, percussion, and I have included voice as well.
My dear friend Landon Speers helped me record the sounds of each piece. In addition to being a very talented photographer, he also produces music under the moniker Headaches. In his in-home recording studio I "played" each piece, exploring the various sounds the garments are capable of producing.
These sounds were then sent to another dear friend, Cecil Frena, who is currently producing music and touring as Born Gold. He is so awesome, that while on tour he took the time to create an original music track from the sounds I sent him. This track is the score for a fashion video we shot in March, and it's kind of crazy. Listening to this piece you would never know that the audio samples came entirely from pieces of "clothing."
Filmed by the talented Greg Biskup, the video features two "models": Eleanor Espiritu (of Toronto band Mirror Phase) and Cosima Friesen (part/parcel). I was adamant that the video should feature musicians in the garments, as musicians greatly understand the importance of self-expression through sound. These two ladies looked amazing in my pieces, and really put on a good show.
The editing was done by the talented and lovely Natalie Sirianni.

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Gratitude:

I am so incredibly thankful to all those individuals who have contributed their talents to this project. In addition to the aforementioned friends, I have a few more people to thank for their help and participation so far. Here they are:
My dear mother: gave me two weeks of endless help and support with sewing, beading, cutting, cooking, and cleaning (Super Mama).
Leigh: my loving partner, who puts up with my enormous mess as I play the role of a creative person and runs errands for me when I'm freaking out. He also played a huge role in the creation of an integral piece in the collection (the Strings skirt). 
Jodinand: my creative sounding board and super hilarious stylish stylist. He also helped with some hand-sewing and can do pretty much anything you ask him to (which includes procuring take-out beers at 2am from a neighbourhood restaurant...).
Matyi: my bro, he helped with just about anything I asked of him, and graciously let me take over his apartment for the shoot.
Annalie + Adeline: lovely ladies who donated their time to prep elements of the collection and help keep me sane.
Cora: amazing hair stylist for the shoot.
Melissa: came through last minute to do the beautiful makeup for the shoot.
Hanah: snapped some awesome behind the scenes shots for me.
Erin Macnab: took the time to act as mannequin for the photos in my thesis paper.
Jennifer Toole: snapped some gorgeous shots of my pieces for ELLE.
Victoria Ellingham: my lovely model for the aforementioned shoot.
Vinny Tang: hair and makeup artist extraordinaire for the shoot.
Daniel Laxer: edited my paper and provided some great insight and suggestions.

And of course my whole family who is rooting for me, my friends for their constant support, and my fellow grad students who empathize with me and understand what madness this is.

I can't thank everyone enough for their support, and if I missed anyone, my apologies. I am truly blessed to have such amazing people in my life, and to have the opportunity to pursue such projects. Mad love.

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Behind the Scenes Photos (courtesy of Hanah Chung)

Atmos Dress

The major project of my semester was designing an evening wear dress. Yup, things move pretty slowly around here - almost a whole semester for one piece! Pretty boring I guess, but for the record we were draping something different every week. Anyhow, the dress was due the day after the John James event (see previous post), which was kind of good, as it forced me to get my shit done well before the due date. You should have seen the madness of the lab that day.

6PM, if your dress was not on the rolling rack in that room before it was wheeled out of the room, you didn't get a grade, and your dress would definitely not be in the 2nd/3rd year fashion show. Seconds until that rack was rolling out the door students were frantically sewing on buttons, hammering rivets, and sewing final seams for each other. Even though my dress was done, I spent the last 10 minutes wrestling with hangers, trying to get my long dress to stay on 1 or 2 hangers, and managed to almost miss the rack! They were moving towards the door as someone finally yelled at me to get my dress on a damn rack, and I joined the handful of ladies chasing it as it wheeled out the doors. Phewf. That was close.

Well the fashion show has come and gone, I've received my marks for the dress (I did well!), and now it's time to arrange a professional photo shoot with this dress. I love it, I must say. It's another versatile piece made of this really light, gorgeous silk that moves like water. It's a halter dress, with a layering top skirt that can be tied around the waist or around the neck. The top skirt can also be tied as a dress in itself, in at least 2 different ways, so I guess you have a total of at least 5 looks built in with this baby, but actually, many more. Can you do the math? And as always, I'm taking orders! Enjoy.

Inspiration board - Satellite & Aerial Photographs of Natural and Atmospheric Phenomena.

Watercolour - one of several illustrations created of the dress.

On the runway (tied incorrectly, unfortunately).

Appliqué detail.

Down the runway at the Arcadian Court.

More photos will be posted in my forthcoming Serpentinata post.

Whirlwind Month

It's been some of the craziest weeks of my life this year. School projects have been constant and demanding including a major evening wear dress project and having a heavy hand in organizing a large fashion show. As well, I've been involved in some extracurricular fashion activities to keep me extra busy. I'm going to try to catch up on my posts now that school projects are finally done - I handed in my last project on Friday - a corset with peplum that I am pretty in love with. Photos to come.

For now, we start with John James at The Red Carpet Room's Spring Trend Report. The event was sponsored by Fuze, and featured spring fashions by several Canadian designers such as Jessica Biffi, Brazen Hussy, and Lizares, and also featured an accessory showcase in which John James stole the show. Visit John James here.

Setting up at The Fifth

Juliann getting decked out in armour.

Juliann and myself with super talented designer Erin Ignacio (centre).

Rocking the jewels.

Garter & Asp

One of my favourite Canadian designers, Jennifer Ann Gilpin, has a new collection out now. I am so excited! Originally designing under the name Re-Gen, she then produced a few seasons under her own name. SS08 was the last I saw of her amazing designs as she made a move to Berlin - can I say I wish I were in Berlin? Now I have discovered she has re-surfaced with the design label Garter & Asp. Her collections are often highly conceptual, but she aims to bridge the gap between conceptual fashion and wearable art - a goal I believe she succeeds in achieving. Her designs have proven once again to be interesting, elegant and sleek, with a bit of bite.

http://garter-asp.com